Limited Edition Fine Art Prints
A photograph on paper outlives the file that made it. Archival prints from the landscape, wildlife, and abstract collections, in numbered limited editions, shipped worldwide.
Landscape Photography
Mountains, coastlines, deserts, and volcanic terrain. The Sierra Nevada, Big Sur, Iceland, and East Africa. Four collections spanning the places that shaped how I see.
View Collection 02Wildlife Photography
Close encounters across East Africa and Northern California. Elephants, lions, spotted cats, rhinos, giraffes, and the spaces between species and landscape.
View Collection 03Abstract Photography
A study of movement, light, and form. Intentional camera movement, long exposure, and images stripped of their subjects until only tone and texture remain.
View CollectionThe Printing Lineage
The print floor set the standard. Everything since has had to earn it. I did not learn printing from a book. I learned it in practice, running day-to-day operations at Picture Element in Santa Clara under Mike Chambers by the time I was twenty. Chambers ran the shop. I was one of three people in the shop. He showed me how to do something once and expected no mistakes. I handled everything from client interactions to canvas stretching to print finishing.
Bill Atkinson came into the shop to profile a solvent printer using his test charts. I did the hands-on work alongside Chambers, in a learning capacity.
I digitally restored century-old tapestries for a historic San Francisco landmark using a Cruse ST flatbed scanning system, retouching and repairing damage from scratch, then printing and laying out the final output sized for each room of the house. The largest pieces the shop produced were three canvas panels at five by twelve feet each. I built the stretcher bars, bracing, and hanging hardware, and stretched them myself.
That training shaped how I think about every print I produce. Each image in these collections is tested across multiple paper stocks before a final substrate is selected. The paper choice is not aesthetic preference. It is a technical decision based on how the specific tonal range of that image interacts with the surface texture, weight, and ink absorption characteristics of each stock. A high-key landscape with delicate highlight gradations requires a different substrate than a high-contrast abstract with deep shadow detail. The print must read the same regardless of viewing angle, lighting condition, or distance.
Editions are printed by Mike Chambers at Picture Element in Santa Clara, the shop where I trained. All prints are produced on museum-grade archival paper using pigment inks the manufacturer rates for 100+ year longevity under standard display conditions. Prints ship worldwide with a numbered certificate of authenticity signed by me. Pricing on request.
Custom sizes, professional framing, and substrate consultation available upon request. Collector inquiries, gallery representation inquiries, and hospitality art placement inquiries welcome.
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